By Pam Hadder
Winter and introspection go hand in hand - as a visual artist, I have often thought of the pure white snow as canvas; a place where blue and grey shadows create new images each day, shapes and patterns that dance, shift and inspire with the changing light. This winter has been especially magical, but it is more than the beauty of winter that has me inspired!
I am blissfully "between opportunities" - my prior employment contract ended in mid-October, and I have been applying my energies to finding new employment and to expressive arts therapy studies (ExAT). You may wonder how can looking for work and studying be blissful? Well, curiously enough, unemployment has been a great blessing in my life, and has opened doors of opportunity that were closed to me while I was working. The change has allowed personal time for me to reflect, envision, engage and learn, and to seriously consider my life passions. I am so grateful each morning when I awaken, and I find myself re-energized, curious, eager to embrace the day, and open to possibilities. I have also learned to graciously accept help. Fiercely independent and accustomed to filling my day in support of others, I have had to learn to take time for myself, my needs and my desires. I have been deeply encouraged by the positive regard of others and their incredible generosity and kindness toward me.
The study of expressive arts therapy has some wonderful side effects - one of our professors, the amazing Dr. Kate Donohue, often says, "we are all wounded healers," and I just LOVE that statement. Students of ExAT need to engage in self-reflection, and fine tune understanding of personal trauma and healing before extending healing modalities to others. Through engaging all of the senses, some amazing things begin to occur - personal transformation, including physical and emotional healing are typical byproducts for students of ExAT. There is also a natural extension of internal and external resourcing which unfolds in a unique way for each individual, at their time and pace, allowing for growth of personal resilience with increased awareness.
And to think that I almost did not enrol in the course - due to the extreme demands and low supports in my prior work life, I thought I would not be able to engage fully in the coursework. My enthusiasm for expressive arts' potential for helping others was not understood or appreciated by my employer - I was so excited by the neurobiological evidence, but had no receptive ears or hearts to receive the message. Fortunately, two supportive friends encouraged me - although I was worried about being able to make ends meet and having enough time and energy for all of life's demands, I took a giant leap of faith, and I nervously followed my muse. I have no regrets! I am thankful for those two friends that really saw my heart of hearts - those two who said, "You have to do this," "You would be so great at this!"
I have had a typical human life thus far - with my share of ups and downs. I acknowledge my privilege as a white, university educated, middle class North American woman of mixed European settler heritage. I never acknowledged my personal trauma, however. Most of us know what it is like to lose a loved one to accident, illness or violence. As women, we know what it means to be sexualized and marginalized, even in the most wealthy and privileged of world nations. Most of us deal with illness and injury - our own, and that of loved ones. And many of us have weathered less-than-ideal relationships, whether in the family home, in personal relationships, or in the workplace.
However, through my engagement in the expressive arts as therapy, I soon understood that I had experienced both classic and complex trauma. From early childhood years, I had naturally gravitated toward music, writing, visual art and performance to understand, express and heal from life's woundings. I began to open my mind, body and spirit to the healing dynamic within the expressive arts, and to trust in my innate ability to both heal and to help others. A further benefit of this learning process has been a surge in my own creative output - not for glory, fame, but for the pure delight, expression and wellness of my soul. Since October 2017 I have written five or six songs for guitar - an amount equal to my writing efforts of the last four years! ExAT has not only helped me to feel better, but it has unleashed my creativity.
Expressive art therapy pioneer, Natalie Rogers, coined the term "creative connection" in the 1980s. Creative connection was Rogers' way to describe the productive synergies that result when moving between expressive arts modalities: music, movement, dance, vocalizing, visual art and the written word. Although, I have always been drawn to visual art, movement, music and creative writing, since enrolling in the ExAT program, I have experienced the power of the expressive arts like never before. We often hear about music as the universal language, and that visual art can capture emotions, and we may feel a stirring in our hearts when we participate or witness any combination or single performance of expressive arts. But we aren't typically encouraged to express by movement how we feel about a painting, or to vocalize how dance made us feel. Creative endeavors have been commodified, edified and placed on a lofty cultural pedestal accessible only by a elite few. Creative outputs are judged, critiqued and limitations and standards applied to exclude and to demean those who might venture beyond those structures. A rare few manage to avoid or break the bonds and succeed while being true to their spirit. Expressive Arts Therapy disrupts this falsehood - creativity is fundamental to every human being, and it is cross-cultural, it is how we communicate as humans, and it is what set us apart on the evolutionary journey.
And so, friends, this is where you find me - I am blissfully between opportunities - centred and joyful, perfectly imperfect, a life-long student of living.
The Independent Nation of Pamalonia
The Independent Nation of Pamalonia
I long to return to Pamalonia. Every day I look for one good thing to inspire, to delight or to comfort. Thanks for visiting!
I long to return to Pamalonia. Every day I look for one good thing to inspire, to delight or to comfort. Thanks for visiting!
Showing posts with label Pam Hadder. Show all posts
Showing posts with label Pam Hadder. Show all posts
Tuesday, January 9, 2018
Fire for the Frozen Heart
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Friday, March 3, 2017
Soul Food
By Pam Hadder
There is an interesting dichotomy surrounding our
consumption – not just our daily bread, but all commodities we market. We all seek to be the first horse out of the
gate, to stay ahead of the curve, to remain relevant in a fast-paced
environment increasingly viewed through the Vaseline-coated lens of technology. But are we truly moving forward or are we
just spinning the same old messages and information a higher speed and volume? Are we demonstrating meaningful results or
just clogging the environment with more content; more “stuff?” To me, it is a case of
soul food versus fast food.
What immediately comes to mind when you hear about soul
food? Maybe it’s remembrances of the
best meal ever, comfort foods, tastes of home; or cultural and community
cuisine – soul food goes beyond just filling the belly; it creates connections, inspires and delights. Compare this to fast food – it seems dim
compared to all of the rich, complex and meaning-laden images we have about
soul food. Soul food is tied to deeply personal connections that withstand the whims and whirlwinds
of the moment. So, can fast food be soul food? It might package itself as soul food, it
might capture some of the flavor and physical appeal of soul food, but the
critical components are conspicuously absent: time, authenticity and meaningful personal connection. Even
more than the thoughts of Grandma’s or Mom’s family recipes, soul food is about
that connection – interacting with others in memorable and satisfying ways
versus split second visual interaction. One does not equal the other.
It takes planning, careful selection of ingredients, and time to elevate a consumable product, service or concept to the status of soul food – it’s pretty easy to stave off hunger with a quick fix, but the moment is here and soon forgotten. Tech marketers have skillfully convinced many of the value of fast food approaches – the offer is all the more alluring because of ease of access and perceived low cost. Basically the human machine is pretty forgiving and can function with almost any kind of food, but science has proven we cannot live in good emotional and physical health without interpersonal contact and support. Like others I rely upon technology to do my work and in my personal time, but whenever I am given the opportunity, I am working to establish more in-real-time and in-person connections and moments - I prefer the natural, the simple and the authentic, and I am opting to create meaning and lasting impact, and, where possible, to feed the soul.
Wednesday, November 16, 2016
Bright Star
By Pam Hadder
A few days ago I said goodbye to you, my friend,
after your eighteen month battle with cancer.
Although I knew you were very sick, I always thought you would make it
–any other outcome seemed implausible.
You were so full of potential, spontaneity, intelligence, creativity and
humour – to consider a world without you in it was like imagining a dystopian
future for the planet; surely this dark oblivion would never come to pass.
I should mention that my work has been
extraordinarily stressful and all-consuming – it is a complex mess that keeps
on surprising me with its ability to fester and grow roots. No matter how deftly I apply myself, the mountain
of work just grows; each superficial success revealing new decay beneath the surface,
and unimaginable human cruelty and spite.
I sleep with my phone by my head, and I watch in semi-paralytic limbo,
as the boundaries between work and personal time become indistinct, like waves
washing away words etched on the shoreline.
Yesterday I came across anther tribute video made in your honour. This one takes the form of an interview, and between head and shoulders shots, the creator pans closely over your fair skin, dappled with blond freckles, like sunlight piercing through foliage to cast soft-edged patterns. The effect is so intimate and yet respectful; it captures the essence of your gentleness, youthfulness, and irrepressible sense of whimsy. I feel your warmth – I feel like you are right here in the room with me.
At the time of these interviews, you had accepted death, and were determined to make the passing from life to afterlife a celebration versus a tragedy. Watching it, I realized my life was like the reverse of your white flame – although blessed by good health and opportunity, I am transfixed and immobilized in a state of mournful disillusionment. I often feel like my life is one of those torturous dreams where mundane, infuriating elements loop and overlap in a bizarre blandness that can only be the definition of a living hell, and I long to wake up and know it was just confused conjuring of my resting brain. Then, across the membrane of time and space and impossibility, I hear your advice for life in my ear: “Wear lipstick and expensive perfume.” And I remember your fashion advice: “Everything goes with everything.” And I hear your raucous laughter, and the pop of a champagne cork midweek and midday. “I love you,” you offer with a bright smile. And, oh my God, I feel like that last person to get the memo; I finally get it – the window is crystal clear and the morbidity has lifted. You were trying so hard for so many months to get through to all of us – so many just like me, living the zombie life like we have no expiration date – and I wanted to reel you back, shush the “negativity” and to beg you to choose life. But I now recognize that it was you who chose life, and it is I who has chosen death – a dire extended death state of my own creation, versus the full-frontal connection of eternal life in motion.
Yesterday I came across anther tribute video made in your honour. This one takes the form of an interview, and between head and shoulders shots, the creator pans closely over your fair skin, dappled with blond freckles, like sunlight piercing through foliage to cast soft-edged patterns. The effect is so intimate and yet respectful; it captures the essence of your gentleness, youthfulness, and irrepressible sense of whimsy. I feel your warmth – I feel like you are right here in the room with me.
At the time of these interviews, you had accepted death, and were determined to make the passing from life to afterlife a celebration versus a tragedy. Watching it, I realized my life was like the reverse of your white flame – although blessed by good health and opportunity, I am transfixed and immobilized in a state of mournful disillusionment. I often feel like my life is one of those torturous dreams where mundane, infuriating elements loop and overlap in a bizarre blandness that can only be the definition of a living hell, and I long to wake up and know it was just confused conjuring of my resting brain. Then, across the membrane of time and space and impossibility, I hear your advice for life in my ear: “Wear lipstick and expensive perfume.” And I remember your fashion advice: “Everything goes with everything.” And I hear your raucous laughter, and the pop of a champagne cork midweek and midday. “I love you,” you offer with a bright smile. And, oh my God, I feel like that last person to get the memo; I finally get it – the window is crystal clear and the morbidity has lifted. You were trying so hard for so many months to get through to all of us – so many just like me, living the zombie life like we have no expiration date – and I wanted to reel you back, shush the “negativity” and to beg you to choose life. But I now recognize that it was you who chose life, and it is I who has chosen death – a dire extended death state of my own creation, versus the full-frontal connection of eternal life in motion.
Sweet beautiful friend – I love you and
miss you in this space and time. I am so
grateful that I witnessed your brilliant comet, blazing across the dark sky. I needed to be shown what matters, and I
needed a kick in the ass so that I might hope to live with authenticity and
fire and audacity. When this body loses
its war with time and genetics, I will endeavor to burn fiercely; illuminating
the path for those who have become mired in shadows. Your approach to death and dying has made me
realize that I am witnessing the slow unraveling of my joy; the erosion of my
life force. You, on the other hand, were
a supernova, burning at maximum strength, uncompromising in your demands, and
unwilling to allow a petty detail such as terminal cancer to dilute your
brilliance. You lived large – you were brazen and brave, and it scared me much
of the time.
Dearest one, you have taught me that there
are worse fates than death and dying – it is far more tragic to live in fear,
denial and paralysis. All we have to do is shine. In the video you talk about
your dream of having another life; one that lasted only a few hours – if I
consider my years, I am sure my reflection back upon them would fill less time than that. Thank you, bright star, it is time to up my
game – “just live a glamorous life...”
Tuesday, August 23, 2016
Summer's End
By Pam Hadder
It’s that time – I can taste the change in the night air;
the last precious days of summer. There is this soft haze that filters all of
the harsh edges, the scent of ripening permeates yards and gardens, and the
afternoon sun gently gilds our world in antique gold. I feel such comfort and nostalgia in these
last sweet days of summer; I think of my grandma, Suzanna, on her farm wearing
an old cotton sheath dress and rubber boots. She was my Mother’s mother, and
the mother of nine children. She raised
her children through the Great Depression and lived through two World Wars. She
lost her husband to cancer when she still had young children at home and a farm
to run. Grandma’s life was not easy.
Mostly I saw Grandma in the summer months; we’d drive out to
the country in the family station wagon. I remember so many simple things that
are framed in summer’s sunny hues, including pumping water from the old farm
well. I loved the iron taste of that cold,
fresh water. Of course, there had been
plumbing at her farm for decades, and the old farm house that housed a family
of eleven, plus great-grandpa, had been dismantled, and a smaller home located
on the homestead.
When my Mom was a kid my grandparents raised their own beef
and pork. They had a few dairy cows and
chickens – some layers and some roasters.
So not only did Grandma prepare thousands of hearty meals, she helped to
raise the lion’s share of the meat and grew the majority of their produce. Those were the days when rural families had
summer kitchens – a place to prepare cooked meals that wouldn’t heat the main
house, and provided some relief to the cook in the open air. Today we are more likely to BBQ or use a
microwave – or use the oven anyway, because we have air conditioning!
I often hear from my Mom how Grandma was a phenomenal cook
and baker – but by the time I came along she didn’t do much of either – I am
sure she exhausted her interest and energies raising a big family through
challenging times. However, I was
delighted when she’d offer “store bought” cookies from a clear glass jar
hand-painted with colourful fruit – this was a treat we seldom had at home,
where my Mom made mostly everything from scratch. We’d play cards, she’d give us kids money to
go the corner store for candy; and she’d nap on the couch with its embroidered
black velvet cushions, snoring like a chainsaw.
I recall the Vogue tobacco tin on her window sill and the ever-presence
of stale smoke, but I never saw her light up or inhale, or roll up the next
smoke. I was a very active, snoopy kid and Grandma would look at me with such
warmth and gentleness with her jet-coloured eyes – she got a kick out of me. I know Grandma was a strict parent, but she
showed more tolerance with us kids; grandparenthood typically mellows the
disciplinarians among us. I only recall Grandma being angry with me once – I
was seven or eight and we were playing Crazy Eights at her tiny kitchen table;
“You’re cheating, Grandma!”
My Grandma seemed so ancient to me and yet she was only in
her early sixties when she died of bladder cancer – I was ten years old when
she left us. My siblings and I used to call her the “old grandma” and our other
grandmother in Montreal who wore tailored suits, and sent us sticker books and
hand-knit woolens was the “nice grandma,” although we rarely saw her. I wonder if our Mom heard our remarks and what
she thought about it. I recall Old Grandma’s last months - In those days they
wouldn’t let little kids into the hospital cancer wards. I remember waiting in
the car while my Mom went in to visit Grandma.
Grandma passed away shortly after that visit and I never attended her
funeral – my parents didn’t feel kids belonged at funerals, I guess.
So it seemed to me that one day I was playing Crazy Eights with Grandma and the next she was gone. I have this photo of grandma holding me – she’s sitting on a white painted wooden chair. I love her horn-rimmed glasses and gingham dress. And, yes, I still sleep in the same position: relaxed mountain climber, supported by "Grandma’s belly" (pillow and comforter surrogates). Grandma is gazing off into the future; likely my snuggling and sleep-breathing is making her drowsy. Funny the things that stay with us – seemingly inconsequential, but profoundly shaping our perception and interaction.
So it seemed to me that one day I was playing Crazy Eights with Grandma and the next she was gone. I have this photo of grandma holding me – she’s sitting on a white painted wooden chair. I love her horn-rimmed glasses and gingham dress. And, yes, I still sleep in the same position: relaxed mountain climber, supported by "Grandma’s belly" (pillow and comforter surrogates). Grandma is gazing off into the future; likely my snuggling and sleep-breathing is making her drowsy. Funny the things that stay with us – seemingly inconsequential, but profoundly shaping our perception and interaction.
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Tuesday, August 2, 2016
Another Way?
I recently had an accident and broke my left wrist. It
sounds clichéd, but for those of us who have had these experiences we know it’s
the truth: a split second and life can be diverted along a completely new
trajectory. Naturally, I am
overwhelmingly grateful that the outcome was not worse – broken bones, a bruised bottom, and
pulled ligaments are minor in the larger scope of things; the pain is
manageable and bones and tissues heal. I also believe these things occur to push us toward
places and experiences we are meant to be.
Although, when I said I was overdue for a break from work, this was not
what I had in mind!
I have only wept once during this situation, and it was not
about pain or the inconveniences of my new one-handedness; it was because I miss
playing guitar so much. My lovely girls, Pearl and Badessa, sit mute in their
hard cases. They don’t miss my touch, but you should know I love and appreciate
them so much that I kiss them after every session! They are my confidantes, my collaborators, my
oases from all of the pressures and stress of making a living and making my way
in this complex world. With the girls in mind, I asked the doctor, deftly
shaping my temporary cast, if moving my fingers would harm the fractures in my
wrist. Happily the answer was “no.” As soon as that back slab was in place, I
began gingerly forming air chords and scales with my injured hand, longing for
what was temporarily impossible.
As I was leaving the hospital, the doctor ushered me to a
computer station and showed me my x-rays. I felt a warm flush of thankfulness.
My bones had not been displaced by my sudden, hard fall; they were healthy and
strong. The doctor allowed iPhone photos of the screens; later I marveled at
the smooth white structures on my x-rays, particularly the intricate bones of
the hand. We are fearfully and wonderfully made (Psalm 139:14).
At home and evaluating the repercussions of my
injuries, another cause for concern surfaced – my dear Mother has been counting
on me for the past few months. She’s had
eye surgery and cannot drive, so once a week we arrange an outing, and I take her to run errands, grocery shop and so forth.
It is never a hardship; it has been a nice opportunity for us to bond and
share more than a few laughs. I knew Mom appreciated my willingness and
patience, and I recognized how fortunate I was to have a loving mother. Mom is very healthy, but she’s getting up in
years, and she has given so much of her time and energy to her seven children. I
wanted to do everything and anything possible for her; so, I worried about
my Mom, feeling frustrated that our activities had been curtailed. I texted my son, my adult daughters, my work contacts
and called my Mom.
Yesterday evening Mom called me out of the blue – it was 9:30 p.m. and she
had been thinking about me all day: was
I in pain, was I able to sleep; how was I managing. Touched by her concern, I assured her the pain was not too bad – it only
hurt when I “forgot” about my broken bones and tried to use my left hand “normally.” I told Mom that I had finally broke down and
took some pain medication – just over-the-counter stuff; because I had refused
any prescription pain killers at the hospital. My main reason for succumbing to
pain meds was the pulled muscles and ligaments in my right leg which had given
me an instant pirate swagger - that might look funny in the movies, but it is no fun in reality. I knew I needed to address that inflammation and
keep my body moving. At bedtime I self-administered reiki healing; I had been doing so a few
times throughout the day since the incident. I closed my eyes and focused on the pulsing sensation and heat, as
directed energy passed over the areas of injury.
I imagined the bones knitting together, glowing with white light. Afterwards I was calm and sleepy – momentarily drained of mental and physical
energy. I reflected with gratitude on my Mom's concern for me and I remembered Mom telling me
about a man in her small town when she was a child – he had healing hands, and
a gift for setting bones. Supported by a cloud-like network of cushions and pillows, I drifted into peaceful, comfortable sleep and dreamed of a blue cat and playing guitar.
Midnight, day two, I lay awake – more realities and practicalities were settling
in. I pondered being limited to clothes
that would accommodate the bulk of a cast and which allowed for toileting –
there would be no help with pants, buttons and zippers at work. What if there was an emergency at work (I work
for a women’s crisis centre with limited staffing) – my right leg buckled from
time to time, and my left arm was limited in range of motion and ability. I
wondered if the doctor would allow me to drive to work – my return trip commute
is about two hours each day; I had not considered I might not be able
to legally drive with my injuries.
Morning, day three, bathing was a drawn out ritual – like trying
to scrub a floor with a feather. I still feared
the shower where I slipped and fell, and so I opted for a bird bath using the sink
basin, soap and washcloths. I celebrated being able to grasp my deodorant stick,
only to plummet to despair when I found I could not apply adequate pressure to adequately
glaze my right underarm with the product.
I satisfied myself with several feeble applications over the same area. I thought about how hard Mom always worked and how nice she always smelled. As a kid, I knew when she was going out
somewhere special – the scent of Cover Girl face powder, hairspray and a hint
of floral cologne. I awkwardly applied a little guava and peach body crème; coaxing two able fingers from my injured hand to pull their weight in the process, and taking care
to massage the ligaments and muscles of my right leg. I was temporarily
house-bound, but Mom would approve – I was training to "get back out there" as
soon as I am able, a butterfly beating its wings against hard glass.
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Sunday, August 23, 2015
Trajectories
By Pam Hadder
Sometimes you clearly see the changing path ahead – a
hairpin curve on a rain-slick road, the plump kitten that chooses to flop down
between your moving feet, or sudden wind and hail that rustles rosy fruit from
the apple trees. Timing varies, but in
these instances there is clear cause and effect laid out for us within milliseconds: slow
down, step with care, and harvest what you can while you still can.
At other times our actions and thoughts are circumvented by
influences we did not foresee. Sometimes
the shift ingratiates itself so subtly, that we cannot logically trace the
point at which we took an unplanned turn.
These changes can be incredibly complex, and they may grow or lay
dormant for many years awaiting a certain stimulus to launch to the next step.
Whether influences simmer or spring into full bloom, we may
be shocked one day to realize that our opinions or interests differ vastly from
a partner, family member, friend or group.
In reality the shift started a long time ago, and we attuned ourselves
to different frequencies, initiating the transformation. Yet how often have you
heard that cliché “we just grew apart?"
Even in sleep we are receiving, analyzing and responding to
stimuli. It makes me wonder about people who need complete silence and darkness to rest
versus those that prefer a bit of background noise and light. I am also wondering if changing my sleeping environment could have shifted my personal trajectories. Do we undervalue the influences bombarding our
sleeping bodies? How much of us is shaped while we sleep?
Reflecting on these things, I am appreciative of how time continues to improve my editing – I am more selective of how I spend my time, more appreciative of simple things, and much more keenly aware of my vulnerabilities and strengths. Life is a beautiful symphony, layered with interpersonal, environmental and purely sensory experiences, meanings, and harmonies. Incredible richness lies in the discovery, the surprises, and the unknowns that fuel our dreams and keep us engaged and curious. But all the while, we hit the brakes, dodge kittens and grab as many apples as we can before they hit the ground.
Reflecting on these things, I am appreciative of how time continues to improve my editing – I am more selective of how I spend my time, more appreciative of simple things, and much more keenly aware of my vulnerabilities and strengths. Life is a beautiful symphony, layered with interpersonal, environmental and purely sensory experiences, meanings, and harmonies. Incredible richness lies in the discovery, the surprises, and the unknowns that fuel our dreams and keep us engaged and curious. But all the while, we hit the brakes, dodge kittens and grab as many apples as we can before they hit the ground.
Friday, April 10, 2015
Old Windows
By Pam Hadder
Winter is hanging on - and I’ve been kicking myself for
changing all but four windows in my little war-era home. Affectionately called “the
sugar cube,” the house is modest but solid, with touches of character and craftsmanship
that used to be basic, but are a lost art today.
A few years back, I received a performance bonus, and used it to change out aging windows in the sugar cube, musing happily about the improvements I’d see on my heating bills – all but a small-ish bathroom window, a mid-size kitchen window and two leaded glass piano windows with harlequin-suit-like diamond panes were removed and replace. The old windows which remain are more predictable than the weather channel - you know it’s getting cold when they fog over, and eventually form icy glaze that can transform into elaborate Jack Frost works of art – unique crystalline patterns, feathering, swirling and spreading across the hyper-chilled surfaces; never two works the same.
A few years back, I received a performance bonus, and used it to change out aging windows in the sugar cube, musing happily about the improvements I’d see on my heating bills – all but a small-ish bathroom window, a mid-size kitchen window and two leaded glass piano windows with harlequin-suit-like diamond panes were removed and replace. The old windows which remain are more predictable than the weather channel - you know it’s getting cold when they fog over, and eventually form icy glaze that can transform into elaborate Jack Frost works of art – unique crystalline patterns, feathering, swirling and spreading across the hyper-chilled surfaces; never two works the same.
My old windows made me recall my young self – perhaps seven
or eight years old, coming into the back entrance of the family bungalow
to change out sopping wet mitts bedazzled with confounding ice nubs, and warming
frozen toes by the electric baseboard heater, before returning to the snow drifts, starry
night sky and fort-building. I was
rather famous (in my mind!) for my snow fort construction, including
manufacture of my weapons-of-choice: double-iced snow balls! At all times, my army of one was ready to
fight off the enemy. Of course, my
warrior fantasies were only acted out in my imagination, and the ammo was never
used. The stockpile would freeze to the ground in a lumpy mass – no surprise
that it was the last thing to melt in March, leaving a dead spot on the lawn
that my parents attributed to the dog’s “business!”
I recall dreaming about being a princess, a Spanish dancer, a cow girl and other fanciful things while staring at the frost patterns on the back door glass; seeing fanciful shapes in the intriguing abstractions. Sometimes I would drag fingernails through the frost and contribute my interpretations to the surfaces; carving and tracing my visions. I wonder how many kids still do this? Have they even seen Jack Frost’s paintings? Could I sell admission tickets to the daycare kids across the lane? I am doubly blessed – windows that predict the weather and which create artistic interpretations of winter schemes.
I recall dreaming about being a princess, a Spanish dancer, a cow girl and other fanciful things while staring at the frost patterns on the back door glass; seeing fanciful shapes in the intriguing abstractions. Sometimes I would drag fingernails through the frost and contribute my interpretations to the surfaces; carving and tracing my visions. I wonder how many kids still do this? Have they even seen Jack Frost’s paintings? Could I sell admission tickets to the daycare kids across the lane? I am doubly blessed – windows that predict the weather and which create artistic interpretations of winter schemes.
Thursday, November 13, 2014
Ice in my Coffee
By Pam Hadder
PHOTO CREDIT: Bing Wright, Broken Mirrors series
PHOTO CREDIT: Bing Wright, Broken Mirrors series
Winter is closing in – arrow heads of geese soar skyward, directing
their efforts south. Although it’s
tempting to slip into denial when the midday sun warms my hair, the breeze on
my bare face soon delivers a frigid wakeup call. With each minute of daylight lost, I know I’m drawing
on precious reserves from summer’s fiery bounty. And yet last winter, amid the coldest winter
on record in 125 years, I felt my heart surge with love – the colder it got,
the hotter my fire burned. I can’t explain it in words and I haven’t reached a
point where I can write music or capture those feelings with visual imagery,
but it appears that after years of griping about the cold and snow, I have a
developed an abiding passion for winter.
Exhaling into this chilly morning, I watch my frozen breath
hovering in a free-form cloud around my head. For a brief moment it is like time
stands still, and I witness my recent past expressed as a vapourous sculpture,
which soon dissipates into the environment.
Like my frozen breath, human life is precious and yet insignificant in
universal timelines. We emerge for a minuscule blip, and then are returned to
the vast energized anonymity from which we emerged – reunited with a nebulous,
ever-evolving, expanding life force.
I consider all that I know and love about winter – it is the
blank canvas allowing for reflection and creative newness, it is the crisp jolt
of air that challenges but affirms my stubborn resilience, and it is the stark
beauty of branches against brilliant white snow drifts and deep blue
skies. Winter is dream time; rebuild and
reset time – it is a time where we collect resources and review what to keep,
what to give away, what to build, and we need to keep warm. The cold requires us to move swiftly – to
generate and sustain heat. We know from past experience that we do well to warm
our core with comfort food and beverages. But most of all we need to keep the
mind brightly lit with possibilities, using our ingenuity and stoking our personal
fires to counter the sun’s waning favour.
Each year as the winter solstice approaches, I seek my New
Year mantra. Early winter marks the end
of the incubation period, the third trimester – as such, I anticipate new life
and I wonder, “What shall I name this new being, what will it look like, will I
be equipped to attend to its needs?” What lessons and wisdom will come my way in
the weeks ahead? In the past the mantras came to me unbidden; a gift from the
cosmos landed with an unceremonious thunk on my unsuspecting consciousness!
Typically the mantra took the form of a word or short phrase upon which I would
reflect and then would seek deeper meaning and engagement. However, once I was
attuned to this marvel, early winter became a time of anticipation and seeking
– I was aware, so the delivery method was more subtle. I was being encouraged to wake up and shift from patterns which did not hold meaning or value – the universe
was making me work a little because I had the ability to do so.
Last year, however, the mantra process was exceedingly difficult – was the universe being fickle and withholding pearls of wisdom, or I was too distracted and desperate to see through the clutter? Had I lost my ability to discern subtlety? Or perhaps, I was being encouraged to seek, to move, to extend myself outward from this place of “me” of the personal mind? Maybe I needed to understand my ability to flex muscle, to stretch, to discover and to prosper. I needed to break away from barriers that I feared, and in some cases, was so accustomed to that I could not see how they held me captive.
Nonetheless, the more earnestly I sought to connect, to forge, and to bond, the more disconnected I felt from that embrace. At this point, I sometimes feel in tune with a joyous surge – I know there is more, and I know there is a reason for my insatiable striving, and everything seems possible, even easy. I have no fear or apprehension, just pensive, well-managed curiosity about the days to come and how I might prepare to receive understanding and to achieve the best results.
Recently, mentally and physically weary after a long working day, I tucked into my covers with Netflix, and I watched a 2011 documentary called “Happy.” The film examines the roots of human happiness, interviewing researchers and examining cultures from around the world. Happy asserts that happiness is 50% genetic-based, 10% environment-based and 40% action-based. Additionally a number of key factors are known to affect our ability to be happy: supportive relationships (most commonly family and friends; community), and altruism (our ability to step outside of ourselves and care for others before our own needs). Additionally, there is a need for us to engage in those things that bring us joy and deep personal satisfaction – things that if we were not interrupted, we would continue to engage in for hours on end. One researcher, pyschologist, Mihaly Csikszentmihalyi, has coined a term for this state: FLOW. I have purchased Mihaly Csikszentmihalyi's books (Amazon) "Flow" and "Creativity: Flow and the Psychology of Discovery and Invention." These books aren't new - Csikszentmihalyi has been researching human happiness for decades and "Flow" was first printed back in 1990. However, I am eager to gain access to his findings and to incorporate that wisdom into my current engagements.
Last year, however, the mantra process was exceedingly difficult – was the universe being fickle and withholding pearls of wisdom, or I was too distracted and desperate to see through the clutter? Had I lost my ability to discern subtlety? Or perhaps, I was being encouraged to seek, to move, to extend myself outward from this place of “me” of the personal mind? Maybe I needed to understand my ability to flex muscle, to stretch, to discover and to prosper. I needed to break away from barriers that I feared, and in some cases, was so accustomed to that I could not see how they held me captive.
Nonetheless, the more earnestly I sought to connect, to forge, and to bond, the more disconnected I felt from that embrace. At this point, I sometimes feel in tune with a joyous surge – I know there is more, and I know there is a reason for my insatiable striving, and everything seems possible, even easy. I have no fear or apprehension, just pensive, well-managed curiosity about the days to come and how I might prepare to receive understanding and to achieve the best results.
Recently, mentally and physically weary after a long working day, I tucked into my covers with Netflix, and I watched a 2011 documentary called “Happy.” The film examines the roots of human happiness, interviewing researchers and examining cultures from around the world. Happy asserts that happiness is 50% genetic-based, 10% environment-based and 40% action-based. Additionally a number of key factors are known to affect our ability to be happy: supportive relationships (most commonly family and friends; community), and altruism (our ability to step outside of ourselves and care for others before our own needs). Additionally, there is a need for us to engage in those things that bring us joy and deep personal satisfaction – things that if we were not interrupted, we would continue to engage in for hours on end. One researcher, pyschologist, Mihaly Csikszentmihalyi, has coined a term for this state: FLOW. I have purchased Mihaly Csikszentmihalyi's books (Amazon) "Flow" and "Creativity: Flow and the Psychology of Discovery and Invention." These books aren't new - Csikszentmihalyi has been researching human happiness for decades and "Flow" was first printed back in 1990. However, I am eager to gain access to his findings and to incorporate that wisdom into my current engagements.
As I breathe in the warm air of this room, with diffused light flooding over my left shoulder, I suddenly know my mantra: it is simply, EXHALE. To exhale is to give over, to simultaneously connect and exchange energy physically and beyond the physical. It means to empty the lungs of expended air, allowing for newness and ultimately for life. I understand that with newness the old must fall away - there are always choices and decisions that challenge and confound us. At this moment, I am enjoying one small breath: it flutters like a clumsy moth fumbling toward a soft light. I look out the window, and I sip the coffee that has grown cold.
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Saturday, November 1, 2014
Eyes On
By Pam Hadder
The eyes have it, eyes are the windows to the soul, keep
your eyes on the prize, for your eyes only, eye spy, getting an eye full –
there are so many eye-centric phrases within North American culture. They roll off our tongues and into our
communications without too much evaluation of true meaning or clarity. A reality check may come our way when
interacting with those to whom English is a second language. Their refreshing perspectives can reveal that
some of these glib phrases are filling space versus creating meaning or
providing valid analogies. What are we really trying to say?
This summer, while visiting New Zealand, I was deeply
engaged by encounters with Maori culture.
Traditional carvings similar to Canada’s west coast totems are inlaid
with paua (pah-OO-ah) shell, and in particular the paua eyes of these majestic figures
translate great energy and stimulate powerful responses. The paua is incredibly beautiful – variegated blues, greens, purples and greys commonly intermingle. Additionally, because
of its smooth, reflective surface, the shell allows eyes to blaze in the
sunshine and to emit an impressive glow in low light. In Hamilton Gardens, Hamilton, New Zealand, I
had the unique pleasure and honour to stand in a garden replicating a
traditional Maori village. To be among these vibrant, powerful forms with dark
storm clouds as a backdrop was breathtaking and deeply moving.
The traditional Maori carvings served to remind me that sometimes, visual media clearly communicates what our words cannot. Experiencing these incredible, significant cultural forms in person opens pathways allowing for additional layers of personal interpretation. When defining learning within academic contexts, it is often described as "meaning making" – and it is known and understood that there are many access points to learning beyond written and oral communication; including via our encounters and interactions with visual forms.
The traditional Maori carvings served to remind me that sometimes, visual media clearly communicates what our words cannot. Experiencing these incredible, significant cultural forms in person opens pathways allowing for additional layers of personal interpretation. When defining learning within academic contexts, it is often described as "meaning making" – and it is known and understood that there are many access points to learning beyond written and oral communication; including via our encounters and interactions with visual forms.
Personally, the prominence of eyes and eye-centric phraseology in North American culture reminds me of the importance of observation and witness. Modern use of eye-centred phrases and expressions, the focus on the eyes in creative expression and in marketing imagery mirrors the majestic forms created by ancestor cultures - we have followed the forms, but have we kept close contact with the meanings? What if a bit more care was taken with our words and expression instead of recycling what we've heard before? Why choose pat sayings and eschew possibilities for deeper personal connection and meaning? Have we lost our ability to enjoy in-person human closeness and reverence, or can we shed the faceless mask of verbal oblivion and open our eyes to the possibilities of profound and personal communications?
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Wednesday, September 24, 2014
Focus
Focus, Focus, Focus
Seeking understanding
Meaning;
Meaning making,
I visualize -
My pale hands working paint,
Deep blue,
Like kneading dough;
Then spreading it on white walls.
The paint won’t speak,
It holds its secrets.
I blow into a hollow reed -
A single note
Woody, alto
Centering, calming;
Breathing.
Focus, focus,
I must record this,
Write it down,
Communicate,
Share.
Seeking understanding,
Meaning;
Meaning making -
I visualize.
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Tuesday, September 2, 2014
Impressions
By Pam Hadder
How much do you care about what others think and/or say about you? I am pleased to say that I am finally reaching a point where I recognize the need to remain steadfast amid the chatter and to follow my personal compass. Another aspect of this, however, is that of impressions - not just what we call "first impressions" but all of the complex physical, temporal, and metaphysical bits we leave in our wake as we go about our daily lives! These aspects I care deeply about; they are not petty or superficial and these intricate impressions bind us together with irrevocable subtlety. I fully recognize that I do not exist in isolation and that my actions, choices and words affect others, and as such I am humbled and honoured by the "every day," the simple interactions and experiences.
Typically my summer allows me a bit of time for dreaming and connecting with the natural environment - just a week or two, brilliant and sweet and then it's gone; a glorious sun setting over a cold grey lake, my warm toes mourning the coolness of the sand. This summer my typical path was dealt an unexpected but truly spectacular twist! For half of my summer I travelled to the southern hemisphere where it was "winter" - I say "winter" because it was so benign compared with the Canadian prairie winter I have lived with all of my life! The destination was New Zealand where my business partner and I have been pursuing some investment opportunities; some good matches arose and the time to act was upon us. And so I left summer for winter.
Our schedule was brisk but not insane - we took time to enjoy the natural, unspoiled beauty of NZ. It was a sensory feast and I am replaying vignettes in my mind as I write this - I hope the impressions I left were worthy because the Kiwis blessed me with a unique kaleidoscope of tastes, sights, insights, words, smells and experiences that is beyond measure. I can smell the briny air of the east coast; I am still in awe of the lush variety of trees, shrubs and flowers gracing the wild and garden landscapes, and I was inspired and humbled by the remarkable warmth and creative complexity of the Maori people. All the while I was conscious of consuming the beauty through all of my senses, and I imagined myself converting food, wine, sunshine, rain, vision, touch and scent into body cells so I could become a part of the wonderment, stealing a smidgen home in my flesh and bones. Looking back it was a profound physical journey of particular spiritual renewal.
Impressions do matter - welcoming smiles, words of kindness, respect for nature and enjoyment of our time together; everyday, where ever life takes us. I hope my love remains where I leave it; I hope it binds, nourishes and grows.
How much do you care about what others think and/or say about you? I am pleased to say that I am finally reaching a point where I recognize the need to remain steadfast amid the chatter and to follow my personal compass. Another aspect of this, however, is that of impressions - not just what we call "first impressions" but all of the complex physical, temporal, and metaphysical bits we leave in our wake as we go about our daily lives! These aspects I care deeply about; they are not petty or superficial and these intricate impressions bind us together with irrevocable subtlety. I fully recognize that I do not exist in isolation and that my actions, choices and words affect others, and as such I am humbled and honoured by the "every day," the simple interactions and experiences.
Typically my summer allows me a bit of time for dreaming and connecting with the natural environment - just a week or two, brilliant and sweet and then it's gone; a glorious sun setting over a cold grey lake, my warm toes mourning the coolness of the sand. This summer my typical path was dealt an unexpected but truly spectacular twist! For half of my summer I travelled to the southern hemisphere where it was "winter" - I say "winter" because it was so benign compared with the Canadian prairie winter I have lived with all of my life! The destination was New Zealand where my business partner and I have been pursuing some investment opportunities; some good matches arose and the time to act was upon us. And so I left summer for winter.
Our schedule was brisk but not insane - we took time to enjoy the natural, unspoiled beauty of NZ. It was a sensory feast and I am replaying vignettes in my mind as I write this - I hope the impressions I left were worthy because the Kiwis blessed me with a unique kaleidoscope of tastes, sights, insights, words, smells and experiences that is beyond measure. I can smell the briny air of the east coast; I am still in awe of the lush variety of trees, shrubs and flowers gracing the wild and garden landscapes, and I was inspired and humbled by the remarkable warmth and creative complexity of the Maori people. All the while I was conscious of consuming the beauty through all of my senses, and I imagined myself converting food, wine, sunshine, rain, vision, touch and scent into body cells so I could become a part of the wonderment, stealing a smidgen home in my flesh and bones. Looking back it was a profound physical journey of particular spiritual renewal.
Impressions do matter - welcoming smiles, words of kindness, respect for nature and enjoyment of our time together; everyday, where ever life takes us. I hope my love remains where I leave it; I hope it binds, nourishes and grows.
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Tuesday, July 22, 2014
Blue Tiger, Purple Moon
By Pam Hadder
Do you remember your dreams? I find that if I consciously commit details
to memory when I first awaken, they stay with me. But most times I jump out of bed and rush
into the various tasks necessary to tackle the working day – and the vivid
images and experiences of my sleeping mind quickly vaporize like mist burning
off in the sun.
I have heard a theory that when we sleep
our soul is free to travel – that might explain why some mornings I feel like I
have run three back-to-back marathons! (I
call those my “busy” dreams!) But aside from epic action and adventure
scenarios, the most compelling dreams are those where I am given a gift – typically
a creative idea or alternate viewpoint.
Lately I have been taking these more seriously – I actually dreamed
about a children’s book idea and title, for example – it was so realistic and
specific that I could not brush it off.
When I awoke I recalled how Sir Paul McCartney once woke with a melody in his head. He played it on the piano and eventually set
lyrics to it. But he wasn’t sure if the
melody was unique, or if he was just playing some other composer’s work from
memory. He played the song for years,
but just for those close to him – not in performance. Finally he was satisfied that the melody was
indeed his own! This song became the mega
hit, “Yesterday.”
Back to my dream book title - I researched it later in the same day. There was another book similarly titled, but
only ever so slightly. Interestingly,
the names of the book's characters also came to me in my dream, and these have been
similarly noted for later use - I even saw the cover illustration; a finished book. On a
roll, I also researched a term that had come to me in an earlier dream – it had seemed
like nonsense, but I began to wonder if it was from another language, and like Goldilocks I couldn't resist exploring. I found a similar word that is
the name of a Japanese manga character. I’m
not into heavy Japanese pop culture, so it’s unlikely that I would have encountered
that name – so my mystery word has also been entered into my notes for future
reference; unsolved but an item of interest.
These are just two small examples of how our dreams can affect and inspire our waking lives. Of course, most of us will not establish the global fame of Sir Paul, and we may not even aspire to attempt it. But we all have inborn potential and creativity – our dreams stimulate and inspire – in our dreams things can be both/and; we can work outside of the laws of physics, we can have blue tigers, purple moons, and super-human abilities. Thus, we expand beyond the common place, we defy the naysayers who have told us from childhood all of the things we cannot do or become. Dreams are a place to play, to discover, to test, to learn – we are truly “beautifully and fearfully made.” (The Holy Bible, Psalm 139:14)
I am also reminded of the 2006 documentary
film “10 Questions for the Dalai Lama” where an American journalist travels for
two years in India, patiently hoping to meet the Dalai Lama for a brief
interview. Good fortune prevails, and the journalist is able to interview His
Holiness. The Dalai Lama responds to one of the questions in a particularly unexpected manner – it is when he is asked what is the most important thing people can do
to promote peace. Without hesitation, His Holiness responds
“critical thinking.” This response showed great wisdom. Consider that with critical thinking, as with dreaming, we remove biases and boundaries; we examine, explore and compare with dispassionate
objectivity. Critical thinking allows
us to sift through filler and fodder to the crux of things – and what we
typically find is commonality and also new discoveries; new ways of thinking,
seeing and being. Perhaps our dream
state is an inborn tool to nudge us toward a sublime state of enrichment and creative
harmony?
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Sunday, July 13, 2014
Friends, the Emperor and Yoga
By Pam Hadder
I am blessed to have full working
use of my six senses, and I no longer want to limit their use to the virtual! Let me explain my path... when social media was gaining
steam from a marketing perspective, I HAD to be engaged in it and was obliged to try things – so that I could
understand any benefits it could have for my clients. To ignore the social media trend was like
wearing an “I am old and obsolete” nametag!
So in short order my personal accounts became my guinea pigs, crash test
dummies etc., and the rest is history! Clients were insecure about being out of the
loop (tech dinosaur syndrome) and had to have social media added to their
websites – and in our industry (advertising and marketing), where insecurities
are leveraged for gain, we were doubly doused in the frenzy – scrambling to
understand, engage and stay ahead of the game.
And it is indeed a big game.
As I have stated, it has not been a complete loss, but I recognize that I am weary of the falsehood, I can’t play dumb, and thus the time has come for me to disassociate my vibrant, 3-D self from the virtual. I am fully enjoying letting my feet feel the sensation of gravity: concrete, grass and earth; and real in-person human connection! It reminds me of when I broke my leg in 1990 and how I felt when they took off the cast – scary but very real; magick! I should also point out that I was an “early bloomer” on Facebook. We had a work group back in the day – three hundred of us found ourselves out of work when our employer sold the business and this “new, free networking thing” called Facebook was a way for us to share support, legal information, job leads etc. So Facebook was my initiation into what was first called “new media” and which became “social media,” and it served the purpose. So when social media started to push into the business realm, I was already familiar with it; it was “comfortable.”
Don’t get me wrong, I am not bailing on all of my “friends”
and “followers” but I am disengaging from any falseness that I can detect. Remember when it was all about the number of
friends you had on Facebook? Or can you
remember the thrill of launching your first Twitter account, and within seconds
you had new connections? Anyone could do
it – even little kids could do it! It was a big ego gratifier and due to the
ease of access it allowed many voiceless underdogs to shape a public persona
that had power, esteem and meaning – virtually.
In my working context, social media was initially seen as a good “free”
tool for all sizes and types of organizations to gain general awareness or for
product and event-specific promotion. I
say “free” because marketers like myself soon caught on that there was a
massive time investment with social media – content needed to be meaningful and
you needed a lot of it. Consider that
the life of a tweet is (at best!) three hours, and you do the math from there! Meaningful and relevant content that was also
timely (i.e. strategic process) – this was and is seldom seen or achieved, and
to date, no reputable academic studies have been able to prove that high numbers
of followers, web site hits, etc. directly correlate to increased revenues for
business. Social media is making some
people rich, but it’s not the business or personal account users, it is the developers
who are raking in the cash!
To make matters worse, along the way people have lost their
sense of reality, and along with it quality and integrity. Because almost anyone can access the
platforms, there has been overwhelming saturation of information and a dumbing
down of quality. Therefore you will find that in the virtual world it’s quite
easy to shape a persona or brand identity and make it look appealing and cool –
but what is the real-time, in-person experience? When you get to the nitty-gritty of things,
is it just a virtual ego game, or does the person or the business have any real
value? When was the last time you had really good after-care service? When was
the last time someone really anticipated your needs and delivered on time? When was the last time you felt that true
warmth of connection? The BIG factor, is
that at some point, for legitimate personal and business pursuits, you need to
connect in the realm of reality.
What makes or breaks your day? Do you really care who unfollows you on Twitter or unfriends you on Facebook or what some random person says on your Instagram account? Are you paying for groups of followers so that you look more appealing for “real” followers? Do you waste aimless hours eating visual eye candy on Pinterest? Do you automate social media to free up valuable time? Do you ever ask yourself – what the hell am I actually achieving?
What makes or breaks your day? Do you really care who unfollows you on Twitter or unfriends you on Facebook or what some random person says on your Instagram account? Are you paying for groups of followers so that you look more appealing for “real” followers? Do you waste aimless hours eating visual eye candy on Pinterest? Do you automate social media to free up valuable time? Do you ever ask yourself – what the hell am I actually achieving?
Three final words:
friends, the emperor and yoga.
1) FRIENDS: my Dad, who was often disappointed by fickle, back-stabbing, small-minded colleagues (he worked for government – imagine your favourite Dilbert cartoon, complete with Pointy-Haired Boss) – Dad always said if you were lucky you would have two or three true friends in your life. You know the ones – you can call them anytime, ask them anything, they tell you they love you; they don’t try and change you – AND they build you up; they celebrate when you succeed!
2) THE EMPEROR: have you ever read the story, “The Emperor’s New Clothes?” – if you haven’t you should. It’s a kids’ story and the moral of the story is about deception – truth and reality. Social media is our modern day “emperor’s new clothes!” Once you get it, you can’t live the lie –even if everyone else is; you can’t un-see the truth, you can’t un-learn what you know is factual.
1) FRIENDS: my Dad, who was often disappointed by fickle, back-stabbing, small-minded colleagues (he worked for government – imagine your favourite Dilbert cartoon, complete with Pointy-Haired Boss) – Dad always said if you were lucky you would have two or three true friends in your life. You know the ones – you can call them anytime, ask them anything, they tell you they love you; they don’t try and change you – AND they build you up; they celebrate when you succeed!
2) THE EMPEROR: have you ever read the story, “The Emperor’s New Clothes?” – if you haven’t you should. It’s a kids’ story and the moral of the story is about deception – truth and reality. Social media is our modern day “emperor’s new clothes!” Once you get it, you can’t live the lie –even if everyone else is; you can’t un-see the truth, you can’t un-learn what you know is factual.
3) YOGA: why this
huge popularity with yoga these days? Based in traditional Ayurvedic medicine,
yoga is about wellness of the body and mind – it requires real-time connection
and physical and mental awareness. Human
minds and bodies are trying to disconnect from the false and reconnect to what
matters. It may not mean yoga for you,
but it might. Over and Oooohhhmmmm ...
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Wednesday, July 2, 2014
Goodbye False Icons!
By Pam Hadder
Today is an auspicious day. Rising from bed, swinging sleepy
limbs out of cotton swathing to face another day, I am delighted to see the
sun’s blush just meeting the horizon; we are in sync at last, without need of a
jarring alarm – it’s a perfect beginning to the rest of my life. Into the shower I trundle, happily soaping all
those wonderful body parts: silently thanking
my feet, legs, arms, back, breasts, toes, fingers, ears – I am blessed to have
a healthy body; thank you, thank you, thank you.
No more judgment – not from me; never again - the world will judge my female form harshly, but I have chosen to be her one stalwart supporter. When I emerge from my domestic cocoon and I must face the many false icons of Photoshopped “perfection” online, outdoors, in print – everywhere – and should I feel myself feeling diminished; fading, I will tap along the pathways my counselor has shown me – face, collar bone, ribs, hand; repeat. Affirmations will flow from my lips like a bird song: “I am wise, I am healthy, I am enough, I am beautiful for who I am; I love and accept myself…”
No more judgment – not from me; never again - the world will judge my female form harshly, but I have chosen to be her one stalwart supporter. When I emerge from my domestic cocoon and I must face the many false icons of Photoshopped “perfection” online, outdoors, in print – everywhere – and should I feel myself feeling diminished; fading, I will tap along the pathways my counselor has shown me – face, collar bone, ribs, hand; repeat. Affirmations will flow from my lips like a bird song: “I am wise, I am healthy, I am enough, I am beautiful for who I am; I love and accept myself…”
I will feel my heart maintain a slow confident beat,
faithfully keeping time while I maneuver through the day’s obstacles and
successes; I will draw air into lungs that infuse my whole being with vital
oxygen, and when I eat I will refuel; energize – I will relish each bite:
savoury, sweet, sour, salty. I will not count calories, or steps; nor will I
ever use a scale. I will not judge my
worthiness by size, shape, how much or how little I eat – I will not see food
as my enemy. Food is there to nourish us,
after all – so I will delight in having the good fortune to select from many fresh
food options, and I will luxuriate in its beauty, sensuality and diversity, and
in those special times I can share earth’s nutritional bounty with others.
It has taken decades
for the child, then a young woman, then a mother to reach this place of
feminine certitude – I am, I feel, I appreciate, I blossom, and I am eternal. When the work day is done, I will stretch and
smile, and seek recreation in the things that bring my body and mind healthy
stimulation and inspiration: my art, my music, and leisurely time spent
outdoors, or in silent reflection, writing, listening or resting. I do not need
to justify my choices; I do not need to explain, but I must fully engage as
only I can so that I can enjoy my personal potential. If not today, then
when? We are only certain of this one
breath, this one moment after all.
Back to my body – my good, beautiful, healthy body – I solemnly vow that I will honour her. I will not wear tight polyester, I will not pound my bones against the hard road, I will not pant so hard I taste blood. I will stand tall and gracefully walk at a pace that feels right in clothes that feel right, I will feel my heart beating strongly, I will enjoy the scents and sights around me; and I will connect with the people around me with positive energy – when they smile, I will smile back.
Back to my body – my good, beautiful, healthy body – I solemnly vow that I will honour her. I will not wear tight polyester, I will not pound my bones against the hard road, I will not pant so hard I taste blood. I will stand tall and gracefully walk at a pace that feels right in clothes that feel right, I will feel my heart beating strongly, I will enjoy the scents and sights around me; and I will connect with the people around me with positive energy – when they smile, I will smile back.
Some very good women to heal you and inspire your journey:
Limon – http://limonfresh.ca/
Virgie Tovar – https://www.facebook.com/virgie.tovar.1/about
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Monday, January 13, 2014
Inanimate Intimacy
This past weekend we got a break from the severe cold (aka
Artic Vortex!) and I happily catapulted my sheepskin-swathed self out for dinner
and a movie. It was a hugely encouraging
experience from the get-go, as there were quite a few new movies to choose from
– well, maybe not so “new” as I have been holed up since before the holiday
season – so let’s rephrase that as “new to me!”
My girlfriend and I settled on the film, “She” – starring Amy Adams and Joaquin
Phoenix; it is about a nerdy guy who falls in love with his OS named Samantha.
The movie was really fantastic on many levels – it had the
superficial appeal of many films (great actors, quirky humour, etc.), but this
was greatly downplayed in favour of thought-provoking content. What has me wanting to see this film again is
its cleverly written script and haunting, complex themes those words define. Unlike
most films that hit mainstream theatres, “She” has the meat of a stage
performance. Highly successful in
creating a realistic-futuristic experience using subtly crafted visual layers
of alienation, the film treads a fine line between the immediate and what lies
ahead.
Take for example the pasty-faced urbanites smiling and
talking not to each other, but to their respective customized OS – I could see a
lot of myself and people I know in those faces and behaviours! Yes, scary but
true – even as I write this, I know I will be posting it to a blog and sharing
it on a number of social media platforms, and I am seriously questioning the
value and reasoning behind all of that. A word that comes to mind is “posturing”
– a sort of distanced posturing versus real connection and communication. Thus
I reconsider the real world impact and personal context of my blog forays: a
virtual smattering of self, volleyed off into the uncertainty of an
ever-expanding cyber-surreality for a purpose that is half crap-shoot science and
half boredom-loneliness-ego-driven-whatever-ness.
Compelling in its awkwardness, frustrating with its deliberate lack of videographic
grandeur, relatable in its human brokenness, and memorable for the poetic
wisdom woven throughout like a welcome breeze, “She” is more like something you
expect to see screened at Sundance. Most
of all, the film has served as a reality check for this writer, this woman,
this tech lover – it makes me want to touch, taste, feel , see more of the
three-dimensional, flawed and fabulous real world and it puts all of this into
harsh relativity. Over and out.
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Friday, December 13, 2013
Soul-full
By Pam Hadder
We are in that mysterious twilight time in
the Canadian north - near the cusp of the winter solstice, we witness the slow
degradation of day light, replaced by a familiar half-dream time that nestles
between now and then. My body responds
by demanding more sleep, a slower pace, intermittent bursts of citrus-bright
colour, and/or more caffeine. Canadians frequently joke about hibernation, but
modern demands for working folks push toward the opposite: we fight the natural
rhythms of the human body to slow down in winter. And so my conflicted heart waxes toward the
heavens, surveys the subtleties of colour, and gravitates inward to float in
the dream-time place, soothed and sustained by the compelling poetry of words
and sound.
I am always excited for the winter solstice
– it brings us closer to the season of lights, Christmas, Kwanzaa and other
holiday experiences that reinforce togetherness, cultural resilience and
appreciation of our place within this living miracle. But more than this, the
solstice means we are one day closer to spring!
By the end of January, the days are noticeably longer, and I feel a
surge of anticipatory energy. It is
always this time of year that I receive my focus or mantra for the year
ahead. Most of the time, it just comes
to me and I know immediately that it is true and meaningful.
This year is different – the interference
from without seems larger, and my
personal insights are more soft-focus, nebulous, and yet imposing like a great, old tree that I
can’t quite wrap my arms around no matter how hard I try! I feel like the messages are there, but I am
not quite connecting. My sleeping dreams
have been varied and bizarre – no help there!
A few nights past I dreamed of incredible Hanukkah/Holocaust themed
installations in a gallery. An ash-grey
room sparkled with fine glitter like ground marcasite, and here and there were
bright jewel bits on the walls – looking closer I saw the bas-relief of Jewish
family life. It was both eerie and
beautiful – it spoke to me of the survival of beauty, family and tradition amid
great evil and opposition. Another night
I dreamed of wildly challenging outdoor escapades with my dearest friend,
waking exhausted and questioning, “What was THAT about?” And on another
occasion I was engrossed in mundane filing, sorting and admin work – a little
too “widget factory” to relate to my working reality, and therefore simply
crazy! I imagine my brain doing a disk
clean up and file dump – like “clean out the fridge” suppers I have been known
to make for my children; it’s just doing what it can with what it has on hand!
And so I wait, expectant, hopeful, humble –
maybe my mantra is merely to question or to dream?
Saturday, November 2, 2013
The Mother Load
By Pam Hadder
I have picture of my two girls, my daughters, in my bathroom - 4 x 6 photos in clip frames. They are ages two and four and they are playing at the lakeside. One of the frames has been cracked - an oopsie from their pre-teen years. As I recall, I kept trying to be a Martha Stewart, but kids are hard on things, and after all, things are just things. Nonetheless, the fact that I need to update those frames niggles away at me every time I brush my teeth. But my days are always full; without reprieve, the weeks and months fly by, and details get lost in the blur. My Mother warned me that once you have a baby, the calendar pages fly by just like in a black and white movie. Mom didn't tell me about some things though - like when you raise your girls to be independent women, and they become those independent women, that it feels like all of it never happened. Is this the empty nest, or is this symptomatic of some undefined brokenness?
I remember the first time those wee girls said "Mom" and "Momma" - the sheer joy of them growing and all of the "firsts." My older daughter liked to tickle my toes as I made her dinner: "Tooka, tooka, tooka, Mommy, tooka, tooka, tooka." And my younger daughter would have spent all day in the baby sling curled into my warm body - if I had the fortitude to carry her for that duration! I feel like I should explain - I did not experience a lot of physical affection during my childhood years, and I wanted to be a different kind of parent than what I had known. I never heard the words, "I love you" from my parents; I think it wasn't considered appropriate for parents to be physically affectionate in their era, but I wanted my babies to know what it meant to be loved, completely and unconditionally - I poured out my words, my hugs, my kisses without reserve. I did not believe in corporal punishment - I had been beaten, but I used time-outs to discipline my babies. I didn't want my kids to fear me the way I feared my Dad. But somewhere in the busy-ness of working, domestic chores, and all the stuff in between, I finished raising my girls. The butterfly kisses have disappeared like soap bubbles popping on a summer breeze; Momma is no more.
More memories... how I dressed the girls alike, fussed with their hair, read Fox in Sox until my tongue felt numb and worked at crappy jobs so I could spend as much time as possible with them. I remember knitting little sweaters as I dutifully attended Super Bowl parties with their Dad, sewing Halloween costumes in a cold corner of the basement, and falling asleep beside them when singing "I See the Moon" at bed time. I remember all of the busy mornings, feeding bathing, dressing, playing, reading, walking/hauling, and repeat. The baby powder, the dear little hands holding mine, the raspberry kisses on soft tummies, the tickles. I remember walking them to school, making brown paper lunch bags with a new doodle for every day, and sweating with anxiety as I walked home from work to pick them up from after school care - oh my God, I always felt guilty because it was sunny outside and they were in the basement of an old school. How my feet, back and legs hurt from standing all day, how I lost sleep to catch up on laundry and cleaning, and how I fell worthless and powerless because I was always financially strapped. Their childhood was an intense time for me, but I tried to shield them from my struggles and fears. I wanted them to have a better life, more opportunities and more happiness than I had known. But so much of the time I was isolated by the sheer volume of what had to be done, and my fear of what would happen if I tried to change the pattern, let myself emerge from the automaton I had created to manage it all.
At some point the 24/7 care of our children is over, and their friends become closer connections, and the seeds of independence bear fruit - and it may not be a fruit you have ever tasted before. I suppose that a Mother becomes symbolic of everything they are not/don't want to be, and something they can't relate to. So, I suppose I have succeeded: they will be better, they will be different from the imperfect, frightened, ignorant, idealist that was Momma. I have tried to organize girls' outings but their young lives are full and focused on things of which I have only sketchy glimpses. Occasionally they let me buy them a meal. My younger daughter regales me with stories of how great her friends' Moms are, and my older daughter is a mystery who keeps her communications superficial. I have finally connected the dots, and the image is an unrelatable construct of female parenthood, rather like the female symbol on a washroom entrance.
So, when we have dinner together, I savour each moment, always hopeful that some trickle of the love that I poured into them will emerge, will morph into this amazing, positive thing that makes their eyes mist over, that makes them remember everything that was Momma - that some little piece of what I did is worthy of their time and memory. But they could be talking to someone on a bus - a random stranger to whom they extend courtesy for few minutes. I inhale and exhale and drink in their beauty, grateful that at least they will sit and eat with me, grateful for this moment; grateful that I knew motherhood. A perennial optimist, I know I will keep trying, will keep revisiting my memories, and will keep returning to face their rebuffs; their thinly veiled contempt or worse - ambivalence.
My birthday is in July, and this year I was away with my job - it was a special time because it was the first time since I was 14 that I have had a whole month away from work. I had some work commitments, but it was combined with travel in some of the most beautiful areas of Tuscany, Italy. The whole time I was accessible by email, text and phone. I don't like a fuss, but I do love my children and I have tried to raise them to be mindful of life's milestones - their birthdays were always celebrated; sometimes two or three times to accommodate the demands of family, in-laws and their own school friends. But this birthday passed with no cards, no calls, no texts - nothing. When I got home from my trip, my younger daughter was fussing over buying a card and gift for her former boss (an alcoholic chain smoker about who she constantly complained to me about). At this point, it hit me with painful clarity that Mom, Mommy, Momma was dead - I was just this image, this memory.
All of the hugs, the sweat, the fears, the work, the tears, the sleeplessness became meaningless in this context. I had to face that it was quite likely that I would never have daughters who called me "just because," or because they wanted to hear my voice, or simply to see how I am doing. Momma was a station along their way, and even the vile former boss now ranked higher. DNA is just DNA, and all of our good intentions are just thoughts, after all. I stretch the pale skin of my lower belly as I shower and trace a soapy finger over the fine white scars. Yes, this body delivered three babies into the world and gave one baby to the angels, it is a good baby maker and has the marks to prove it's use, and yet it could be any baby maker. My body bears witness to the signs that only one person cares about.
My son is 13 - he still holds my hand and tells me he loves me. He still talks to me - not just to ask for something or because he needs something. Pinch me; will this time be different, or have I just forgotten these moments with my girls? He is such a sweet child and I fear for him in this world of violence, excess and indifference - most of all, I pray, "Please don't take his love from me." My friends tell me I am a good mother, but because I was cut off from my friends and family for so many years, I have a very small circle of friends - I sometimes worry that "Friend" may go the way of "Momma." I look through a another sampling of old photos in the bill basket, and they don't feel like they belong to me. I see my old, worn gym hoody has fallen off the door hook again - I look down on it and imagine that is who I am to my girls: a dead grey shell, a husk of some creature that used to exist but is no more. I pick it up and smell the soft cotton - it smells like baby powder.
I have picture of my two girls, my daughters, in my bathroom - 4 x 6 photos in clip frames. They are ages two and four and they are playing at the lakeside. One of the frames has been cracked - an oopsie from their pre-teen years. As I recall, I kept trying to be a Martha Stewart, but kids are hard on things, and after all, things are just things. Nonetheless, the fact that I need to update those frames niggles away at me every time I brush my teeth. But my days are always full; without reprieve, the weeks and months fly by, and details get lost in the blur. My Mother warned me that once you have a baby, the calendar pages fly by just like in a black and white movie. Mom didn't tell me about some things though - like when you raise your girls to be independent women, and they become those independent women, that it feels like all of it never happened. Is this the empty nest, or is this symptomatic of some undefined brokenness?
I remember the first time those wee girls said "Mom" and "Momma" - the sheer joy of them growing and all of the "firsts." My older daughter liked to tickle my toes as I made her dinner: "Tooka, tooka, tooka, Mommy, tooka, tooka, tooka." And my younger daughter would have spent all day in the baby sling curled into my warm body - if I had the fortitude to carry her for that duration! I feel like I should explain - I did not experience a lot of physical affection during my childhood years, and I wanted to be a different kind of parent than what I had known. I never heard the words, "I love you" from my parents; I think it wasn't considered appropriate for parents to be physically affectionate in their era, but I wanted my babies to know what it meant to be loved, completely and unconditionally - I poured out my words, my hugs, my kisses without reserve. I did not believe in corporal punishment - I had been beaten, but I used time-outs to discipline my babies. I didn't want my kids to fear me the way I feared my Dad. But somewhere in the busy-ness of working, domestic chores, and all the stuff in between, I finished raising my girls. The butterfly kisses have disappeared like soap bubbles popping on a summer breeze; Momma is no more.
More memories... how I dressed the girls alike, fussed with their hair, read Fox in Sox until my tongue felt numb and worked at crappy jobs so I could spend as much time as possible with them. I remember knitting little sweaters as I dutifully attended Super Bowl parties with their Dad, sewing Halloween costumes in a cold corner of the basement, and falling asleep beside them when singing "I See the Moon" at bed time. I remember all of the busy mornings, feeding bathing, dressing, playing, reading, walking/hauling, and repeat. The baby powder, the dear little hands holding mine, the raspberry kisses on soft tummies, the tickles. I remember walking them to school, making brown paper lunch bags with a new doodle for every day, and sweating with anxiety as I walked home from work to pick them up from after school care - oh my God, I always felt guilty because it was sunny outside and they were in the basement of an old school. How my feet, back and legs hurt from standing all day, how I lost sleep to catch up on laundry and cleaning, and how I fell worthless and powerless because I was always financially strapped. Their childhood was an intense time for me, but I tried to shield them from my struggles and fears. I wanted them to have a better life, more opportunities and more happiness than I had known. But so much of the time I was isolated by the sheer volume of what had to be done, and my fear of what would happen if I tried to change the pattern, let myself emerge from the automaton I had created to manage it all.
At some point the 24/7 care of our children is over, and their friends become closer connections, and the seeds of independence bear fruit - and it may not be a fruit you have ever tasted before. I suppose that a Mother becomes symbolic of everything they are not/don't want to be, and something they can't relate to. So, I suppose I have succeeded: they will be better, they will be different from the imperfect, frightened, ignorant, idealist that was Momma. I have tried to organize girls' outings but their young lives are full and focused on things of which I have only sketchy glimpses. Occasionally they let me buy them a meal. My younger daughter regales me with stories of how great her friends' Moms are, and my older daughter is a mystery who keeps her communications superficial. I have finally connected the dots, and the image is an unrelatable construct of female parenthood, rather like the female symbol on a washroom entrance.
So, when we have dinner together, I savour each moment, always hopeful that some trickle of the love that I poured into them will emerge, will morph into this amazing, positive thing that makes their eyes mist over, that makes them remember everything that was Momma - that some little piece of what I did is worthy of their time and memory. But they could be talking to someone on a bus - a random stranger to whom they extend courtesy for few minutes. I inhale and exhale and drink in their beauty, grateful that at least they will sit and eat with me, grateful for this moment; grateful that I knew motherhood. A perennial optimist, I know I will keep trying, will keep revisiting my memories, and will keep returning to face their rebuffs; their thinly veiled contempt or worse - ambivalence.
My birthday is in July, and this year I was away with my job - it was a special time because it was the first time since I was 14 that I have had a whole month away from work. I had some work commitments, but it was combined with travel in some of the most beautiful areas of Tuscany, Italy. The whole time I was accessible by email, text and phone. I don't like a fuss, but I do love my children and I have tried to raise them to be mindful of life's milestones - their birthdays were always celebrated; sometimes two or three times to accommodate the demands of family, in-laws and their own school friends. But this birthday passed with no cards, no calls, no texts - nothing. When I got home from my trip, my younger daughter was fussing over buying a card and gift for her former boss (an alcoholic chain smoker about who she constantly complained to me about). At this point, it hit me with painful clarity that Mom, Mommy, Momma was dead - I was just this image, this memory.
All of the hugs, the sweat, the fears, the work, the tears, the sleeplessness became meaningless in this context. I had to face that it was quite likely that I would never have daughters who called me "just because," or because they wanted to hear my voice, or simply to see how I am doing. Momma was a station along their way, and even the vile former boss now ranked higher. DNA is just DNA, and all of our good intentions are just thoughts, after all. I stretch the pale skin of my lower belly as I shower and trace a soapy finger over the fine white scars. Yes, this body delivered three babies into the world and gave one baby to the angels, it is a good baby maker and has the marks to prove it's use, and yet it could be any baby maker. My body bears witness to the signs that only one person cares about.
My son is 13 - he still holds my hand and tells me he loves me. He still talks to me - not just to ask for something or because he needs something. Pinch me; will this time be different, or have I just forgotten these moments with my girls? He is such a sweet child and I fear for him in this world of violence, excess and indifference - most of all, I pray, "Please don't take his love from me." My friends tell me I am a good mother, but because I was cut off from my friends and family for so many years, I have a very small circle of friends - I sometimes worry that "Friend" may go the way of "Momma." I look through a another sampling of old photos in the bill basket, and they don't feel like they belong to me. I see my old, worn gym hoody has fallen off the door hook again - I look down on it and imagine that is who I am to my girls: a dead grey shell, a husk of some creature that used to exist but is no more. I pick it up and smell the soft cotton - it smells like baby powder.
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