By Pam Hadder
Winter and introspection go hand in hand - as a visual artist, I have often thought of the pure white snow as canvas; a place where blue and grey shadows create new images each day, shapes and patterns that dance, shift and inspire with the changing light. This winter has been especially magical, but it is more than the beauty of winter that has me inspired!
I am blissfully "between opportunities" - my prior employment contract ended in mid-October, and I have been applying my energies to finding new employment and to expressive arts therapy studies (ExAT). You may wonder how can looking for work and studying be blissful? Well, curiously enough, unemployment has been a great blessing in my life, and has opened doors of opportunity that were closed to me while I was working. The change has allowed personal time for me to reflect, envision, engage and learn, and to seriously consider my life passions. I am so grateful each morning when I awaken, and I find myself re-energized, curious, eager to embrace the day, and open to possibilities. I have also learned to graciously accept help. Fiercely independent and accustomed to filling my day in support of others, I have had to learn to take time for myself, my needs and my desires. I have been deeply encouraged by the positive regard of others and their incredible generosity and kindness toward me.
The study of expressive arts therapy has some wonderful side effects - one of our professors, the amazing Dr. Kate Donohue, often says, "we are all wounded healers," and I just LOVE that statement. Students of ExAT need to engage in self-reflection, and fine tune understanding of personal trauma and healing before extending healing modalities to others. Through engaging all of the senses, some amazing things begin to occur - personal transformation, including physical and emotional healing are typical byproducts for students of ExAT. There is also a natural extension of internal and external resourcing which unfolds in a unique way for each individual, at their time and pace, allowing for growth of personal resilience with increased awareness.
And to think that I almost did not enrol in the course - due to the extreme demands and low supports in my prior work life, I thought I would not be able to engage fully in the coursework. My enthusiasm for expressive arts' potential for helping others was not understood or appreciated by my employer - I was so excited by the neurobiological evidence, but had no receptive ears or hearts to receive the message. Fortunately, two supportive friends encouraged me - although I was worried about being able to make ends meet and having enough time and energy for all of life's demands, I took a giant leap of faith, and I nervously followed my muse. I have no regrets! I am thankful for those two friends that really saw my heart of hearts - those two who said, "You have to do this," "You would be so great at this!"
I have had a typical human life thus far - with my share of ups and downs. I acknowledge my privilege as a white, university educated, middle class North American woman of mixed European settler heritage. I never acknowledged my personal trauma, however. Most of us know what it is like to lose a loved one to accident, illness or violence. As women, we know what it means to be sexualized and marginalized, even in the most wealthy and privileged of world nations. Most of us deal with illness and injury - our own, and that of loved ones. And many of us have weathered less-than-ideal relationships, whether in the family home, in personal relationships, or in the workplace.
However, through my engagement in the expressive arts as therapy, I soon understood that I had experienced both classic and complex trauma. From early childhood years, I had naturally gravitated toward music, writing, visual art and performance to understand, express and heal from life's woundings. I began to open my mind, body and spirit to the healing dynamic within the expressive arts, and to trust in my innate ability to both heal and to help others. A further benefit of this learning process has been a surge in my own creative output - not for glory, fame, but for the pure delight, expression and wellness of my soul. Since October 2017 I have written five or six songs for guitar - an amount equal to my writing efforts of the last four years! ExAT has not only helped me to feel better, but it has unleashed my creativity.
Expressive art therapy pioneer, Natalie Rogers, coined the term "creative connection" in the 1980s. Creative connection was Rogers' way to describe the productive synergies that result when moving between expressive arts modalities: music, movement, dance, vocalizing, visual art and the written word. Although, I have always been drawn to visual art, movement, music and creative writing, since enrolling in the ExAT program, I have experienced the power of the expressive arts like never before. We often hear about music as the universal language, and that visual art can capture emotions, and we may feel a stirring in our hearts when we participate or witness any combination or single performance of expressive arts. But we aren't typically encouraged to express by movement how we feel about a painting, or to vocalize how dance made us feel. Creative endeavors have been commodified, edified and placed on a lofty cultural pedestal accessible only by a elite few. Creative outputs are judged, critiqued and limitations and standards applied to exclude and to demean those who might venture beyond those structures. A rare few manage to avoid or break the bonds and succeed while being true to their spirit. Expressive Arts Therapy disrupts this falsehood - creativity is fundamental to every human being, and it is cross-cultural, it is how we communicate as humans, and it is what set us apart on the evolutionary journey.
And so, friends, this is where you find me - I am blissfully between opportunities - centred and joyful, perfectly imperfect, a life-long student of living.
The Independent Nation of Pamalonia
The Independent Nation of Pamalonia
I long to return to Pamalonia. Every day I look for one good thing to inspire, to delight or to comfort. Thanks for visiting!
I long to return to Pamalonia. Every day I look for one good thing to inspire, to delight or to comfort. Thanks for visiting!
Showing posts with label soul. Show all posts
Showing posts with label soul. Show all posts
Tuesday, January 9, 2018
Fire for the Frozen Heart
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Saturday, November 1, 2014
Eyes On
By Pam Hadder
The eyes have it, eyes are the windows to the soul, keep
your eyes on the prize, for your eyes only, eye spy, getting an eye full –
there are so many eye-centric phrases within North American culture. They roll off our tongues and into our
communications without too much evaluation of true meaning or clarity. A reality check may come our way when
interacting with those to whom English is a second language. Their refreshing perspectives can reveal that
some of these glib phrases are filling space versus creating meaning or
providing valid analogies. What are we really trying to say?
This summer, while visiting New Zealand, I was deeply
engaged by encounters with Maori culture.
Traditional carvings similar to Canada’s west coast totems are inlaid
with paua (pah-OO-ah) shell, and in particular the paua eyes of these majestic figures
translate great energy and stimulate powerful responses. The paua is incredibly beautiful – variegated blues, greens, purples and greys commonly intermingle. Additionally, because
of its smooth, reflective surface, the shell allows eyes to blaze in the
sunshine and to emit an impressive glow in low light. In Hamilton Gardens, Hamilton, New Zealand, I
had the unique pleasure and honour to stand in a garden replicating a
traditional Maori village. To be among these vibrant, powerful forms with dark
storm clouds as a backdrop was breathtaking and deeply moving.
The traditional Maori carvings served to remind me that sometimes, visual media clearly communicates what our words cannot. Experiencing these incredible, significant cultural forms in person opens pathways allowing for additional layers of personal interpretation. When defining learning within academic contexts, it is often described as "meaning making" – and it is known and understood that there are many access points to learning beyond written and oral communication; including via our encounters and interactions with visual forms.
The traditional Maori carvings served to remind me that sometimes, visual media clearly communicates what our words cannot. Experiencing these incredible, significant cultural forms in person opens pathways allowing for additional layers of personal interpretation. When defining learning within academic contexts, it is often described as "meaning making" – and it is known and understood that there are many access points to learning beyond written and oral communication; including via our encounters and interactions with visual forms.
Personally, the prominence of eyes and eye-centric phraseology in North American culture reminds me of the importance of observation and witness. Modern use of eye-centred phrases and expressions, the focus on the eyes in creative expression and in marketing imagery mirrors the majestic forms created by ancestor cultures - we have followed the forms, but have we kept close contact with the meanings? What if a bit more care was taken with our words and expression instead of recycling what we've heard before? Why choose pat sayings and eschew possibilities for deeper personal connection and meaning? Have we lost our ability to enjoy in-person human closeness and reverence, or can we shed the faceless mask of verbal oblivion and open our eyes to the possibilities of profound and personal communications?
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